There’s been much talk amongst the blogosphere of a possible upcoming Steampunk craze in YA, in the wake of Cassandra Clare’s best-selling but incredibly mediocre foray into the genre. Kady Cross, the pseudonym for author Kathryn Smith, mentions in the acknowledgements for her book that she wanted to write a cross between “X Men” and “The League of Extraordinary Gentlemen.” As a fan of both (I have a serious guilty pleasure love of the latter movie adaptation, even though I’m perfectly aware of how bad it is) I approached this with cautious optimism but, after a great opening chapter, found myself quickly bored. The potential for greatness is definitely there but these promising elements are put together so clumsily and in such a derivative fashion. The love is always in the details, and such things are genre expectations for Steampunk – it’s not just about shoving in some cogs and corsets and calling it a Steampunk novel, you have to create the entire world in all its depth and intricacies. Unfortunately, this novel tries to throw in so much detail that basic elements of storytelling such as plotting and pacing suffer. There’s just so much stuff to be described and Cross does so frequently and it weighs down the pacing until its dead in the water. There’s so much technology on show, so many paragraphs on the intricacies of a piece of equipment that it quickly becomes exhausting, especially when the story seems to have disappeared. It’s such a shame because the story starts with an intriguing bang that promises much but doesn’t quite deliver. The world never really feels like a well constructed alternative Steampunk universe. Instead, it’s more like a Victorian set romantic mystery with some stuff thrown in. I did find a lot of the technology interesting but its place in the story felt forced and shoe-horned in, never organic to the proceedings. Like the story itself, much of this technology is told to us and not shown. It’s also a disappointment to see how many of the YA paranormal tropes this book falls into. The love triangle, for unfortunately there is another one in a YA novel, is the typical series of events we’ve come to expect in this genre, with little development of the actual characters Finley is supposed to be so taken by. Finley herself was another example of squandered potential. Her genuinely interesting issues were plodded out in such a pedestrian manner that, like everything else in the story, I quickly became bored by her. The mystery that has much more interesting potential than the love triangle is sacrificed for the romance, although what little mystery we were given was a little too predictable. I couldn’t help but shake the feeling that this story wasn’t complete. I know it’s the first in a planned trilogy but on its own, “The Girl in the Steel Corset” felt half-done. I later found out that Cross had released an online prequel to the book which leaves me with mixed feelings I may have to address in a later blog post.“The Girl in the Steel Corset” is another example of great potential sadly squandered, and not the Steampunk YA saviour one was hoping for. There are moments of excitement and interest amidst the plodding story and tedious pacing but it never really amounts to something worthwhile. The basic idea of the story is definitely one with possibilities, so I hope Cross can expand upon them and iron out the story’s weaknesses in the rest of the trilogy. 2/5.